When it comes to illustrations, this effect works similarly, but can have different results. Since this example features mostly flat shapes in layers, a drop shadow can do neat stuff like add depth without looking fake. You may already be familiar with Drop Shadow in Photoshop. You can do this to all the shapes you want to affect with an Inner Glow, then modify the effect by opening the Appearance window (in the Window menu), and clicking Inner Glow in the list. I’ll add the same effect to the top of the hat by clicking it and hitting Command + Shift + E, which applies the last effect used to whatever shape is selected. This will give some gradual depth and shading to the outer edge of the shape. The Opacity and Blur can be eyeballed by turning on Preview. When I add this to the band of the orange hat, in this illustration, I set the Mode to Multiply and the color to a darker shade of red, then select Edge. Don’t let the name fool you, though – it’s not limited to “glowing.” You have different blend mode options, along with options to set the effect to the center or the edge, which makes it versatile for shading too. This requires a few more steps, but we go more in-depth here.Ī great way to add depth, subtle shading, or like the name says, glow, is to use the Inner Glow effect. You can also use Grain for a grainy shading effect. Hit OK, then set that shape to Multiply in the Transparency window ( Window > Transparency.) This will remove those extra colored pixels and make it more of a texture than a noise filter. It gives a nice texture, like a wool coat. After cycling through the options in the Grain type menu, I settled on Contrasty, with the Intensity on 85 and the Contrast on 9. Select the shape, hit Command + C to copy, then hit Command + F to paste in front. The Grain effect in Illustrator can add a cool texture to your vector illustration, especially used with the Gradient tool. I’m going to use the Medium setting, which means taking the radius up to 10px to match the effect from the Screen setting. Now we have a cute rosy-cheeked character. In other words, a radius of 5 pixels will be very fluffy at Screen resolution, compared to High resolution. The lower the resolution, the less range for refinement you’ll have. You can change the resolution of your effects by clicking Effects and selecting Document Raster Effects Settings and picking from the list in the Resolution menu. The radius is noted in pixels, no matter what your Preferences are set for.Ī blur of 5 pixels radius looks good for the size and resolution we’re working at. The window will pop up for controlling the amount of blur. Go to Illustrator’s main menu at the top of the window, click Effects, hover over Blur and click Gaussian Blur. For this graphic I’m using a 5″ x 5″ artboard. Enter the size and details for the document. Start a new document by opening Illustrator and hitting Command + N. A lot more like blushing cheeks in the cold air. You could just make a pink dot on the face, or you could use blur to to make the accent softer, less flat. Think of a little character with rosy cheeks in winter clothes. Use them on your next design project to take them to the next level of style, or use them as ideas to get out of a vector design rut.īlur is a great effect when you want to add accents that aren’t just flat shapes. I’ll show you 5 effects for creating trendy depth and texture. Some make the vectors wiggle and zig-zag, keeping them flat, while others utterly destroy them in the coolest and controllable of ways. Illustrator has a pretty big range of these effects. Vector art isn’t just flat and colorful, you can create depth and grungy texture too. ![]() Add depth and texture to a flat illustration with just a few clicks using these five quick vector effects in Illustrator.
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